Sunday, September 29, 2024

Recent prints in area Shows and Exhibitions


"BIRDS"

CAA Members Show

June 13th-July 14th 2024

Concord Art Association

Concord, MA

Image: NIGHT VISION, two block, color linoleum





CAA 25th Roddy Exhibition

Juror, Meg Smith, Gallery NAGA director

September 6- October 20, 2024

Concord, MA

Image: FIELD ARTIST, linoleum block print





"Interpretive New England"

July 10- August 25th, 2024

Byran Memorial Gallery

Jeffersonville, VT

Image: SPRING STREAM RUNNING,

            color reduction linoleum




"Up, Down and Along the Way"

North of Boston Print Collaborative

July 2-July 31, 2024

Parker River National Wildlife 

Visitor Center, Newburyport, MA

Image: TOWN CRIER, linoleum block print




MINI GEMS

December 7, '24 - January 4th 2025

Society of  American Graphic Artists

Union Square Gallery, NYC 

Image: CALADIUMS 3, color linoleum print 

Thursday, September 5, 2024

sunflowers

This year's sunflower crop has been spectacular.  The weather has been picture perfect providing plenty of opportunities to get out and paint the acres of golden yellow.

Some of the area farms I have been painting sunflowers are: Cider Hill Farms in Amesbury, Grant Farm in W. Newbury, Colby Farm in Newbury, and Old Wild Farm in Haverhill.

Some charcoal sketches.




































This past Sunday at the Gloucester Schooner Festival, there was a 'paint out' sponsored by the Cape Ann Plein Air. At the harbor park along Western Ave, crowds of people walked among the colorful gardens of dahlias and sunflowers with dozens of plein air painters stationed at their easels.  All in attendance, excited to view the Parade of Schooners.  
I noted, among the chaos of hundreds of moving boats, a lone lobsterman was seen pulling in his traps.



Friday, August 30, 2024

It's pie season

After devouring a delicious blueberry pie with friends, I decided to recycle the pie box and plastic container not into the recycle bin but into collagraph prints.

Looking at the aluminum pie tin I imagined it could be a sunflower head. Perhaps I have sunflowers on the brain. These last few weeks I have been outdoors painting and sketching lots of fields all aglow with brilliant yellow sunflowers. 

Here's some of the materials I used for making my collagraphs.


Here's my collagraph sunflowers I printed in my studio.



Inking table with inks and brayers for rolling up the plates.














For another sunflower print, I use the clear plastic container that housed the pie. I cut out a circular shape to be used as a printing plate. I then scratched deep lines into the plastic surface with a steel stylus, drawing a metal chair in a sunflower patch.
In addition to this plastic plate, other cardboard substrates were inked up and printed together on a press.

Here is the sunflower image inked and printed.


Presently, the fields of sunny sunflowers are fading.  Their large heads heavily laden with seeds are no longer upright turning towards the sun but hang low looking at the ground. The gold finches and other feathered guests are feasting on their nutritious bounty.

Saturday, November 11, 2023

Juried Printmaking Show in Concord, MA

 


Just dropped off my reduction linoleum print, "And So...It Comes Every Year" for the Fresh Ink print show in the Allie Kussin Gallery at The Umbrella Arts Center, 40 Stow Street, Concord, MA. Open daily 9A-9P

Wednesday, September 20, 2023

Wednesday, September 6, 2023

 

SAGA Fine Print Exhibition and Handing It Down

May 18 @ 5:30 pm - July 1 @ 4:00 pm

Beginning this May, the Artists Archives is thrilled to host a Fine Print Exhibition featuring the Society of American Graphic Artists (SAGA), one of the nation’s oldest organizations dedicated to creative printmaking. Based in New York City, SAGA was founded in 1915 to promote the advancement of the graphic arts. Over their 108-year history, they have exhibited such preeminent modern artists as Henri Matisse, Mary Cassatt, Käthe Kollwitz, Edward Hopper, Joseph Pennell, and Pablo Picasso, and continue to count some of the world’s most accomplished printmakers among their ranks.

 

The exhibition at the Artists Archives will include over 50 prints produced by their internationally renowned membership. Juror Mindy Tousley describes, “As one would expect from such an esteemed organization, the work submitted was emblematic of the quality and professionalism of its members. While the chosen pieces varied widely, there was a common bond expressed among the artists, and that was the love they held for printmaking…this exhibition is a celebration of their years of experience and love of the art form.”

 

“I get excited about ink and paper,” German born artist Dirk Hagner effuses. “The textures, the subtle build-up of sheen in successive ink layers, the gentle dimensionality impressions leave on the sheet, the feel of the printing blocks, the sounds, and scents – it’s the whole mix. It is seductive, challenging, often surprising, and always exhilarating.”

 

The artists’ passion for their medium translates directly into their technical prowess. The exhibition boasts several reduction relief prints, referred to by Picasso as “suicide prints” because of the inability to make corrections as the block is cut away to produce layers of color. Also on display are jaw-dropping mezzotints which achieve a velvet-soft tonality by pitting a metal plate with thousands of interlocking dots. Converge by Jayne Reid Jackson, for example, highlights the medium’s pastel quality by depicting a pool of glass marbles in photorealistic detail. Ringed by a circle of upturned crabs, the articulated white bellies and the glittering orbs reflect the light in a dramatic scene of tabletop chiaroscuro.

 

In addition to being masters of their physical craft, the printmakers selected for the exhibition are also masters of observation. With laser-like precision, the artists capture the heartbeat of a city or the delicate cycles of nature on a printing plate and call forth their images for our reflection. As artist Alan Petrulis explains, “To truly experience this world, one must not just look but learn to see and listen. Places that speak to me become points of translation, points to be transcribed onto paper in a language made of a thousand little lines and marks. Some of these voices are deeply fixed in the land. Some arrive through fleeting moments like when a stoplight turns red and a truck halts in front of a street mural to open a dialog…”

 


Printmaking has the uncanny ability to strip away life’s cacophony to reveal the essence of a time and place. This meditative subtraction can be seen in Susan Jaworski-Stranc’s relief print And So…It Comes Every Year, which distills the swirling chaos of a forest fire brought on by climate change down to dynamic blocks of fiery orange, green and dousing blue. Another piece, Dreams Over Brooklyn, by Karen Whitman, converts the dazzle of a city’s color and detail to an impactful, pulsing vignette of line, contrast, and form.

 

For Whitman, so too does the labor of her practice serve as a reinforcement of her personal values. “The physicality and rigor of carving and printing reminds me daily of the hard work and patience it takes to accomplish most anything meaningful,” she explains. “I am also determined in this world of push-button images and shortcuts of convenience, to keep the tradition of making hand-pulled prints alive, as they enhance the richness of the experience of appreciating art ~ and of being a human being.”

 

The SAGA Fine Print Exhibition will be celebrated with an in-person opening reception on Thursday, May 18th 5:30 – 8:00pm. Four exhibition awards will be sponsored by The Print Club of Cleveland, and will be juried by Dr. Emily J. Peters, Curator of Prints and Drawings at the Cleveland Museum of Art.

 

To accompany the show, the Artists Archives will also present Handing It Down, an exhibition featuring prints from the Jack and Linda Lissauer Collection. Curated by Jack Lissauer, the show will focus on artists who are also educators dedicated to passing down the knowledge of their craft to the next generation.

 

A variety of exciting programming will also support the SAGA Fine Print Exhibition. On Wednesday, May 31st 7:00 – 8:00pm the Archives will host the virtual program From Stone to Silicone: The Future of Printmaking with Michael Menchaca and Maggie Denk-Leigh. How has the technology of printmaking evolved? And what current digital innovations are shaping the print world today? Join renowned contemporary printmaker Michael Menchaca and the Cleveland Institute of Art’s Printmaking Department Chair Maggie Denk-Leigh as they provide a fascinating overview of the evolution of fine art printing and look ahead to its exciting future through the lens of Menchaca’s socially engaged digital and multimedia work. REGISTER ON ZOOM

 

On Wednesday, June 21st 7:00 – 8:00pm, Dr. Emily J. Peters, Cleveland Museum of Art’s Curator of Prints and Drawings, will discuss her selections for the SAGA Fine Print Exhibition Awards. Peters will be joined by Diego Briceno, Vice President of SAGA, Mindy Tousley, Exhibition Juror, and the award-winning artists who will provide fascinating insight into their pieces in the show. REGISTER ON ZOOM